Your email address will not be published. I Could Never Love Another (After Loving You) The Temptations / U.S. R&B, 19. Nightshift The Commodores / U.S. R&B Netherlands, 14. Pop U.S. R&B, 22. (That Playboy knew he was never getting their digits.) Soul with ambition, soaked in passion. In The Name of Love The Supremes / U.S. Inner City Blues (Make Me Wanna Holler) Marvin Gaye / U.S. R&B, 9. Aint no use sneakin around, boy; The Supremes know what you are up to in a song that serves as both a plea for being treated better and as a fierce admonition. Shoeshine Boy Eddie Kendricks / U.S. R&B, 13. How Well Do You Know Rick James Garden Of Love? Aint Too Proud To Beg The Temptations / U.S. R&B, 2. In true Motown fashion, the recording was a family affair, with the Supremes helping out on background vocals. You could make a case that the Seventies Supremes rate right up there with the Sixties edition and Bad Weather is Exhibit A. Stoned Love The Supremes / U.S. R&B, 23. Hed just say, And here they are, the the the, Gordon Lightfoot: 10 Essential Songs by the Canadian Folk Icon, Gordon Lightfoot, Canadian Folk Rock Troubadour, Dead at 84, Stagecoach 2023: Lainey Wilson, Chris Stapleton, and Nostalgia Dominate Countrys California Fest, Ed Sheeran Plays Van Morrison Song as Proof He Didn't Steal From Marvin Gaye in Copyright Trial, New Jeans, Rina Sawayama, Saweetie Among Gold House A100 Honorees, Newsmax Accuses Murdochs of Designing a New-World-Order Globalist Kill List Against Tucker Carlson, DeSantis' Disney Board Will Countersue the Mouse, Academy Slaps Down New Rules After Andrea Riseborough, Tom Cruise, Michelle Yeoh Controversies. Obvious, really. The newly-expanded Motown: The Complete No. Pop*, 11. 22. J.D. You Are The Sunshine of My Life Stevie Wonder / U.S. When it finally saw the light of day, it soared. May 17, 2019 For Wonder, the tune was simply a feel-good tribute to Count Basie, Ella Fitzgerald, and Sir Duke himself, Duke Ellington. Its So Hard To Say Goodbye To Yesterday Boyz II Men / U.S. R&B, 6. First Of May: A Key Date In The Early Bee Gees Calendar, Live At The Apollo: Soul Dynamite In Harlem From James Brown, (Is This The Way To) Amarillo: Comic Relief Takes Tony Christie Back To Texas, Renaissance Man In A Cowboy Hat: Country Phenomenon Tim McGraw, Mulan: A Disney Soundtrack Fit For A Warrior, Little Walter: The True King Of Blues Harp, Karma: Pharoah Sanders Spiritual Jazz Masterpiece, Jon Pardi Invited To Join Grand Ole Opry At Stagecoach By Guy Fieri And Alan Jackson, Red Hot Chili Peppers Flea Shares His Three Favorite Basslines, Killer Mike Sets 2023 North American Solo Tour, Carrie Underwood To Welcome Listeners Into Carries Country With New SiriusXM Channel, Lil Wayne Invites Fans To Welcome To Tha Carter Global Livestream Concert, LE SSERAFIM Head Up A Rebellion In Nile Rodgers Collaboration, Unforgiven, Aerosmith Announces Peace Out Farewell Tour, My PeopleHold On: Eddie Kendricks Spiritual Anthem, Rare Stamps Vol.1: A Special Delivery From JJ Barnes And Steve Mancha, that plaudit going to Gladys Knight And The Pips, classic titles and under-the-radar favorites. These include David Bowie and Mick Jaggers Live Aid-benefitting remake of Dancing In The Street and Coolio featuring LVs Gangstas Paradise, based around Stevie Wonders Pastime Paradise., The newly-added Disc 11 in the set adds six more Motown No. Adult Contemporary, 10. 1s, with the Miracles and as a solo artist. I kind of got that from my own experiences that was Lionel Richie from Tuskegee, Alabama, where there is no such thing as four-in-the-morning partying.. Love Hangover Diana Ross / U.S. The updated edition of the box set adds ten bonus tracks across its first ten discs, and a new Disc 11. Too Hot Ta Trot The Commodores / U.S. R&B, 14. Pop Canada, 21. Pop, 21. D.B. Pop* U.S. R&B, 14. First recorded for The Temptations Psychedelic Shack album, Edwin Starr took War to a far angrier place in 1970, and it became an anthem for those who opposed the Vietnam War. Pop U.S. R&B U.S. Dance/Disco Australia Norway Switzerland, 5. Pop*, 2. K.G. I Wish It Would Rain The Temptations / U.S. R&B, 16. Aint No Mountain High Enough Diana Ross / U.S. Awe-inspiring. 0:57. So You Think You Know Martha And The Vandellas? high) and free, and really, who could deny such a sweet farewell? J.N. Motowns classic period may have long ended by the time the Nineties rolled around, but the labels biggest hit was yet to come. ABC The Jackson 5 / U.S. In my own experience mixing, it's hard [[if not downright impossible) to try to eliminate vocals and such from the original song. This was Strongs only hit as an artist, but not the end of his musical career: After trying his luck as a singer with other labels, he returned to Motown to make his name as half of a brilliant in-house songwriting partnership with Norman Whitfield. The Funk Brothers drive home the message with a tough beat that helps put the song up there with Dancing in the Street among Motowns great anthems of joy, aspiration, and community. 2: 1962 Various The Complete Motown Singles | Vol. Devil In The Bottle T.G. MOTOWN (extended) Jim Magoc 90 videos 341 views Last updated on Jan 6, 2023 Play all Shuffle 4:07 The Miracles "Mickey's Monkey" My Extended Version!!! And so he did, with aid from his fellow Miracles, particularly Marv Tarplin, who provided the guitar riff at the songs center. Few hits in the Motown canon have as many backstories and multiple meanings as the Vandellas last Top 10 hit. Shockingly, Ooo Baby Baby was not a UK hit, though it made US No.16 in 1965. I Was Made To Love Her Stevie Wonder / U.S. R&B, 13. Sheppard / U.S. Country, 20. Pop U.S. R&B, 20. Find many great new & used options and get the best deals for Motown 25: Yesterday, Today, Forever (DVD) at the best online prices at eBay! The Commodores were many things; subtle was not one of them. As Ross put it, if theres a cure for this, I dont want it. E.L. I Wish Stevie Wonder / U.S. Take Me Higher Diana Ross / U.S. Dance/Disco, 13. Rick James wrote this ballad about a torrid affair with an Ethiopian princess. Baby Im For Real The Originals / U.S. R&B, 6. Jimmy Mack Martha & the Vandellas / U.S. R&B, 11. You Cant Hurry Love, My Baby Loves Me, Ooh, Baby, Baby, I Want You Back, Aint That Peculiar, My Smile is Just A Frown (Turned Upside Down), Chain Reaction, Signed, Sealed & Delivered,The Boss, Quicksand,Take Me In Your Arms (Rock Me A Little While),You Beat Me To The Punch. Of course, musical tastes are subjective, and that will always be true. The Supremes would eventually record their own version, though it wasnt released until 1987. Heard so often, it still sounds bright and alive. Send us a tip using our anonymous form. Ow! Come See About Me The Supremes / U.S. Pop U.S. R&B, 3. Adult Contemporary U.K. Australia Austria Canada France Germany Ireland Netherlands Norway Switzerland, 12. Celebrate with Abdul Duke Fakir, the last and still living member of The Four Tops. Of course, it didnt sound nearly as Dickensian as that since production group the Clan dressed it in funky guitar, schmaltzy strings, and chimes, and Ross indefatigable grace made it sound charming. Finaliy, a huge Great Job to the greatest imaging in music history The Funk Brothers! Rhythm of The Night DeBarge / U.S. R&B U.S. Adult Contemporary, 11. The Temptations are an American Motown singing group whose repertoire has included doo-wop, soul, psychedelia, funk, disco, rnb, and adul read more Similar Artists The Four Tops 861,478 listeners Smokey Robinson and The Miracles 664,594 listeners The Spinners 643,309 listeners The Supremes Sir Duke Stevie Wonder / U.S. Im Coming Out Diana Ross / U.S. Dance/Disco, 4. Poor Bernadette, she never had a chance of living up to Levi Stubbs unrealistic expectations of her. The upbeat tempo contrasts to the cringeworthy moment as her heels slide up and down the marble tile to the euphoric horns very rock & roll. Superstition Stevie Wonder / U.S. Reach Out, Ill Be There Four Tops / U.S. I Cant Get Next To You The Temptations / U.S. Pop, 2. In Motown narratives, Smokey Robinson is often praised for his achingly beautiful work with the Miracles and his writing and production for Mary Wells and the Temptations, among others. Has there ever been a gentler breakup song than Easy? A medley of Motown. Do You Love Me The Contours / U.S. R&B, 4. I do like the Motown extended versions that are on You Tube by mosogotam. With a chorus driven into your brain by a guitar like an angry hornet, this has the pop fashion of 1967 all over it. K.H. Otis Williams later recalled, I know there werent drug references because Norman and Barrett didnt do drugs.. The Boss Diana Ross / U.S. Dance/Disco, 16. This fiercely funky political broadside, coincidentally released just after Nixons resignation in 1974, is like a weaponized version of Superstition, with Wonder pounding out the nastiest clavinet on record and a backup vocal from the Jackson 5 thats celebratory in its defiance. Pop U.S. , when Penny Lane overdoses on quaaludes and has her stomach pumped inside the Plaza. K.H. Burn bras and carry signs?) The piano is the engine here, pushing everything forward with heavy clumps of notes, while the brass section keeps adding injections of diesel fuel. R.S. The songs vibe is consciously international, fitting in Caribbean, Spanish, and Swahili phrases. You Cant Turn Me Off (In The Middle Of Turning Me On) High Inergy / U.S. R&B**, 12. Rep Power. This song was never a hit, not even a single. J.D. Runaway Child, Running Wild The Temptations / U.S. R&B, 2. Forget the hair of the dog. Written by Nickolas Ashford and Valerie Simpson, Aint No Mountain High Enough melded gospel roots with heavenly soul within a musical backdrop that swooped from gentle valleys to staggering highs. 17. They turned Too Many Fish in the Sea into a timeless feminist pep talk for anyone going through love troubles, with Gladys Horton as the voice of wisdom: I dont want nobody who dont want me/Theres too many fish in the sea! Benny Benjamins drums really second that emotion. Soulful Detroit Tours, JOIN US! In the best Motown tradition, I Just Want to Celebrate transcended genres. The upbeat tempo contrasts to the cringeworthy moment as her heels slide up and down the marble tile to the euphoric horns very rock & roll. Gaye threads multitracked backing vocals throughout almost the entire tune, sometimes echoing the lead lyric, sometimes breaking the spell with shattering ad-libs then knitting everything back together by bathing the whole track in the prettiest of ooohs and aaahs. When he starts to fade out not long after four minutes, you may not feel ready to leave. J.N. You could sing the telephone book on top of this rhythm section and it would still be a hit. But stories of the label in the Seventies tend to focus on Stevie Wonder and Marvin Gaye, to the exclusion of others. Copyright 2023 This lighter-than-air party anthem hit Number One in 1983, helping make Richie one of the most famous pop stars on the planet. Upside Down Diana Ross / U.S. But it was Motown trio the Undisputed Truth who took the original 12-minute jam, slowed it down, added horns, and cut it to down a three-minute slice of foreboding soul. Motown stars like Robinson, the Commodores, Diana Ross, and Michael Jackson kept churning out great music through the funk, disco, and easy-listening eras, and hitmakers like Rick James, Lionel Richie, DeBarge, and Boyz II Me kept the label all over the radio in the slick Eighties and into the Nineties. Ballerina Girl Lionel Richie / U.S. 2023 Rolling Stone, LLC. Last Time I Saw Him Diana Ross / U.S. The world-famous Supreme queens 1980 meeting with disco maestros Chic was not without controversy: she remixed the album they created for her. What a single. First recorded by The Temptations, but a huge hit for The Undisputed Truth in 1971, here's the hard-edged aspect of Motown, superbad and tough. I Second That Emotion Smokey Robinson & the Miracles / U.S. R&B, 15. Sticking with the R&B end of Tamla Motown, heres the labels first No.1, stylishly delivered by Gladys Horton and the girls from Inkster, Michigan. Do It To Me Lionel Richie / U.S. R&B, 9. Producer Hal David helped the recording sessions along by providing the participants with liquor, according to The Billboard Book of Number One R&B Hits first plying band members with shots of Rmy Martin, and later providing Ross with a little taste of vodka. Love Hangover became a Number One hit in 1976, presaging Ross success with disco on 1980s Diana. Marvins third vocal partner, Tammi Terrell, gave him something dazzling to bounce off, and both singers shine on this glorious affirmation of love gone good, laid in 1968. K.H. Aint That Peculiar Marvin Gaye / U.S. R&B, 22. Adult Contemporary, 3. Dont Look Any Further Dennis Edwards featuring Seidah Garrett, #1 cover version by Kane Gang: U.S. Dance/Disco, 1. Im Gonna Make You Love Me Diana Ross & the Supremes & the Temptations / U.S. I've never gone hunting for them online, just found them by chance on my travels. Pop U.S. R&B*, 17. Being With You Smokey Robinson / U.S. One of Motowns best paranoid psychedelic funk songs penned by Norman Whitfield and lyricist Barrett Strong. James Jamerson, Bongo Eddie, Robert White, Earl Van Dyke. Adult R&B, Each B-sides of #1 hits, a unique chart accomplishment, #1 cover version by En Vogue (acapella intro to Hold On) / U.S. R&B Dance Club, 3. Written by Berry Gordy and Janie Bradford in 1959, Motowns first hit offers a roadmap of the labels future: The lyric encapsulates Motowns drive for commercial as well artistic success, while the piano bass line is R&B blossoming into pop in real time. Pop U.S. R&B Australia Canada, 11. Pop U.S. R&B U.K. 23. Roy Ayers) [Groove Boutique Chill Jazz Mix], My World Is Empty Without You (Tranzition Remix), Just My Imagination (Running Away with Me) [Easy Mo Bee Remix], Smiling Faces Sometimes (Futureshock Main Ingredient Mix), What Becomes of the Brokenhearted (Mocean Worker Remix), Reach out, I'll Be There (Montez Payton & Taurus Braxton Remix), (Love Is Like A) Heat Wave (Noizetrip Mix), Ain't Nothing Like the Real Thing (The Rurals Cool Mix). Youre All I Need To Get By Marvin Gaye & Tammi Terrell / U.S. R&B, 20. Uptight (Everythings Alright) Stevie Wonder / U.S. R&B, 23. For a start, here's an extended reconstruction I made of Marvin & Tammi's "Ain't No Mountain High Enough". direction than I Want You Back and ABC. Leading the way, naturally, was Michael: His pipsqueak voice packed so much intensity and fervor, that he really did sound like a wounded grown-up and not the, but they blend together to produce the kind of sunshine-soul pop that could only exist in 1969. Aint Nothing Like The Real Thing Marvin Gaye & Tammi Terrell / U.S. R&B, 18. The arrangement is surprisingly similar; the producer is Johnny Bristol Johnny of Johnny And Jackey. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); About Us Contributors Terms of Service Privacy Policy 2023 uDiscover Music, Photos: Motown Records Archives (Rick James), Motown/EMI Hayes Archives (Stevie Wonder, Mary Wells, Martha And The Vandellas, Marvin Gaye), Rick James - Super Freak (Official Music Video), Heaven Must Have Sent You (Stereo Promo Version), Just My Imagination (Running Away With Me), Youre The Man: Marvin Gayes Staging-Post R&B Top Tenner, Diana & Marvin: Motowns Superstar Friends Finally Join Forces On Record, Dancing In The Street: Martha And The Vandellas Perfect Dance Record. Sweetened by female backing group the Adantes, and showcasing Gayes gift for riding a great groove through the verse and bringing it home on the chorus, this went to Number One on the R&B Singles chart and into the Top 10 of the Pop Singles chart in 1965. Pop* U.S. R&B*, 15. I Cant Help Myself Four Tops / U.S. "You Really Got a Hold on Me" by Smokey Robinson & The Miracles It's hard to resist the tune's first line"I don't like you, but I love you"which perhaps explains why this. Walk Away From Love David Ruffin / U.S. R&B, 18. For Once In My Life Stevie Wonder / U.S. K.H. Many listeners, including Motown head Berry Gordy, assumed the song was a drug reference, but as the Temptations Otis Williams later recalled, I know there werent drug references because Norman and Barrett didnt do drugs.J.D. It used a motto of the early 70s which became even more popular following the songs 1973 release, adorning T-shirts and badges across the US and UK. CLUBHOUSE Its a perfect marriage of two distinct and talented voices. Apple Inc. Whats Going On Marvin Gaye / U.S. Starting in 1965, Motown employed the legendary Bob Olhsson as their in-house mastering engineer. Pop, 14. Written and produced by Smokey Robinson, the track is a fluttering, soft, ultra-feminine tale of fidelity, with Wells coyly rejecting the advances of other men. Diana doesnt want Alka-Seltzer. The important thing is to keep listening to and paying tribute to the greatest label and the greatest roster of stars, writers, producers, arrangers, etc., ever assembled on one label. Teena Marie was among those who took note, incorporating a cheerfully all-over-the-place rap interlude in her 1981 hit Square Biz: Im less than five foot one, a hundred pounds of fun/I like sophisticated funk/I live on Dom Perignon, caviar, filet mignon/And you can best believe thats bunk. The goofy bluster adds to the festive air of Square Biz, a hard-funk workout with seismic, popping bass work and intricate horn charts. E.L. Four Tops 1966 monster, with Levi Stubbs straining every sinew to let you know hes standing by, ready to catch you when you fall. Dancing Machine The Jackson 5 / U.S. 1 when covered by other artists. In My House Mary Jane Girls / U.S. Dance/Disco, 15. R.S. From an earthy groove that recalls Sly and the Family Stone to lyricsthat warn a flirtatious partner to take it slow/or someday youll be all alone, the Jackson 5s third straight Number One was a step in a more adult direction than I Want You Back and ABC. Leading the way, naturally,was Michael: His pipsqueak voice packed so much intensity and fervorthat he really did sound like a wounded grown-up and not the11-year-old he was at the time. Adult Contemporary Australia Canada -Netherlands, 8. On Bended Knee Boyz II Men / U.S. Dueling funk riffs slide over proto-boom bap drums as frontman G.C. Far from the tales of carefree romance popular in Sixties Motown, the song cautions against the smiling faces that pretend to be your friend and dont tell the truth. The group wouldnt reach that level of success again, but the song earned notable covers by everyone from Rare Earth to Joan Osborne. Awesome and atmospheric, this US No.1 wasn . Pop U.S. R&B*/** Canada. The classic Motown sound was starting to fully flow by the end of 1963, when Can I Get A Witness was released. Pop U.S. R&B, 4. Alls fair in love and war: A reconnaissance mission turns into a romantic ambush in the Marvelettes hit The Hunter Gets Captured by the Game. Secretly I been tailing you, like a fox that preys on a rabbit, Wanda Young sings. But I will definitely work on more when I get some time to be creative. Shoo-Be-Doo-Be-Doo-Da-Day Stevie Wonder / U.S. R&B, 17. 10: 1970 Various The Complete Motown Singles | Vol. Cameron goes from a smooth crooner waitin all alone by the telephone to bemused falsetto to enraged jilted lover in three minutes. If I Were Your Woman Gladys Knight & the Pips / U.S. R&B, 1. 371. One Day In Your Life Michael Jackson / U.K. Ireland, 10. My Guy would end up being Wells biggest and last hit for Motown before signing to 20th Century Fox with movie-star dreams. Much like the Mary Jane Girls All Night Long, Dont Look Any Further seems to exist on a rhythmic continuum leading from early funk to hip-hop. Drawn from a decades-long catalogue thats a gift that keeps giving and giving, the best Motown songs not only defined their era, they remain timeless examples of classic pop. Things are not what they seem, admits Smokey, a topic he also dealt with in Tears Of A Clown. His pain was our gain. The box set also contains an exclusive 100-page book with rare and classic photographs, detailed track annotations and an introduction by Smokey Robinson, himself responsible for 20 Motown No. Adult Contemporary Australia Canada, 11. Forum Archives The use of the word charms is totally toxic. 3: 1963 Various The Complete Motown Singles | Vol. ALL FORUMS Its All In The Game Four Tops / U.S. R&B*, 12. Overjoyed Stevie Wonder / U.S. Got to be there in the morning/And welcome her into my world, the 13-year-old Michael Jackson sang on his first solo single, with his brothers singing behind him and a lush vocal arrangement by Willie Hutch. It was the start of several brokenhearted hits for her, and the songs gaping vulnerability touched a nerve inspiring versions by Aretha Franklin and the Clash, among others. But he returned from a European tour with a hard-driving track influenced by the Rolling Stones for writing partners Sylvia Moy and Henry Crosby to polish off. In the years leading up to that album, Houston had been struggling to break through on the charts, and this disco take was even originally meant for label darling Diana Ross instead. Pop U.S. R&B*/**, 14. She is reveling in her passion-jaded condition, delivering a trophy-grabbing disco masterpiece, showing the likes of Donna Summer and Gloria Gaynor whos The Boss. Forever Came Today The Jackson 5 / U.S. Dance/Disco, 17. Writers Norman Whitfield and Barrett Strong came up with a track that was just as incisive and explosive as the lyrics. One of my favourite Motown duets ever. Wrap My Body Tight Johnny Gill / U.S. R&B, 5. Lets Get Serious Jermaine Jackson / U.S. R&B, 3. Wherever I Lay My Hat (Thats My Home) Marvin Gaye, 1. Truly Lionel Richie / U.S. Think weve missed any of the best Motown songs? Michaels voice was still sweet and youthful, but the sentiment and lavish sound nodded toward the R&B ballads for the audience. Do It Baby The Miracles / U.S. R&B*/**, 9. Beauty Is Only Skin Deep The Temptations / U.S. R&B. One of the keystones of Ms. Ross' solo career and proof that Motown could conjure up disco classics of epic proportions. K.H. Original vocal It took shape in the studio in the form of hiccuping drum fills, organ blasts, and Walkers stylishly hyperactive saxophone, which darts like a man trying to take cover from gunfire without scuffing his shoes. 5: 1965 Various It was also a goodbye to Paul Willaims: soul times were changing in 1971. There have been hundreds of non-Motown remakes of Motown songs. For the breakdown in the middle, Richie asked a friend who worked at the United Nations to recommend some African sayings. Pop U.S. R&B, 19. Pretty sure there's a thread or two here on the man and his work. r), working up a plush, Caribbean-inspired groove that fits like an impeccably tailored velvet suit. Yester-Me, Yester-You, Yesterday Stevie Wonder / Norway, 9. Hip-hop heads know the bass line was so good that Eric B. and Rakim used it to underpin their masterpiece Paid in Full. E.L. Happy People The Temptations / U.S. R&B, 12. Wells once called her biggest hit, My Guy, the epitome of the Motown sound, and she was right. Diana says farewell to The Supremes with a version of the 1961 Johnny And Jackey duet that manages to be both resigned and hopeful. Pop** U.S. R&B, 2. A dreamy in fact, daydreamy ballad that was Eddie Kendricks parting gift to The Temptations, as he turns this tale of a deluded fantasist into a fans dream come true. A Motown Records Release; This Compilation 2019 UMG Recordings, Inc. On 12 January 1959, the music sensation that changed America - and the world beyond it - was set in motion. Its a showcase for drum master Benny Benjamin. 1: 1959-1961 Various The Complete Motown Singles | Vol. Because they were my brothers and sisters.. The strutting foundation of All Night Long is unimpeachable, a squirt of bass notes scattered around a dry, echoey snare drum. Martha Reeves and her soul sisters deliver a song youve heard over and over but it still sounds fantastic. Some albums have as many as 50, 100, or 150 different versions. Diana Ross was on the precipice of solo stardom when she recorded Love Child, which was ostensibly a solo single anyway, since it was one of the first Supremes recordings without any other actual Supremes on it. 0:05. [The feeling of] Easy like Sunday morning applies to anybody who lives in a small Southern town, he once told, . Who wouldnt want to be so loved? All pf these are Motown gems that went to No. The song became more significant in the decades following, however, as it became a heartbroken anthem for the HIV/AIDS epidemic. What Becomes Of The Broken Hearted Jimmy Ruffin. Thats unfortunate, because Robinsons body of work in this decade is frequently spellbinding, perhaps nowhere more than Quiet Storm, an album that lent its name to an entire subgenre of misty, meticulous R&B. Pop** U.S. R&B, 16. PROVINCETOWN A man known for his Motown devotion has died of coronavirus, or COVID-19, his cousin has confirmed. . Pop** U.S. R&B U.K. 7. Love Child Diana Ross & The Supremes / U.S. One doozy of a catchy song, penned by Motown backroom legends Holland-Dozier-Holland alongside Canadian singer Richard Dean Taylor. Pretty far, it turns out: This 1965 song hit Number One on the R&B chart and was in the Top 10 of the Billboard Hot 100. That its songs still sit among the greatest and most soulful ever recorded is testament to the relentless quality of the artists and songwriters Gordy hired. Rub You The Right Way Johnny Gill / U.S. R&B, 4. Adult Contemporary, 9. After the Temptations shifted course toward funkier, harder-hitting fare like Psychedelic Shack and Ball of Confusion, Just My Imagination was a sweet nod to the groups classic sound. Too Busy Thinking About My Baby Marvin Gaye / U.S. R&B, 3. Adult Contemporary / and by Robson & Jerome (in medley): U.K. 25. Hed just say, And here they are, the the the girls! J.D. Hip-hop 4557857 Motown a1Nellyville a2Gettin' It Started a3Hot In Herre a4Dem Boyz a5Oh Nelly a6Pimp Juice b1Air Force Ones b2In The Store b3On The Grind b4Dilemma c1Splurge c2Work It c3Roc The Mic (Remix) I Hear A Symphony The Supremes / U.S. Got To Give It Up Marvin Gaye / U.S. mosogotam 136K subscribers 6.8K 804K views 9 years ago No copyright infringement intended. Pop U.S. R&B U.S. Dance/Disco, 7. If youre looking for a perfect example of The Motown Sound, youd be hard-pressed to find a better one than 1963s Heatwave. With doo-wop vocals, a hefty backbeat, and plenty of horns, this is the classic sound of the label. is wildly ambitious and recklessly groovy, maybe nowhere more than its title song. Pop U.S. R&B Canada, 11. The result was a sweet, transporting tune and a hit their first as the Supremes (rather than Diana Ross and the Supremes) in three years. And though they played it for a very interested Dusty Springfield, they held on to Aint No Mountain High Enough as their ticket to gigs at Motown. Gaye sings about street life in his falsetto, declaring, Theres only three things in life thats sure taxes, death, and trouble. , This breezy groove has some of Smokeys wittiest wordplay, stretching out the makeup metaphors and puns, while Martha Reeves sings about the tears pancake and powder could never cover. . Heaven Help Us All Stevie Wonder / U.S. R&B**, 21. Smokey Robinsons group had a nice line in hand-me-down advice songs before he became the king of emotional metaphors, as this miraculous sliver of 1960 R&B testifies. Adult Contemporary, 6. Assertive, powerful, and groovy, this 1966 smash is beautifully delivered by the great Eddie Kendricks. I was really joking, she later said. Just My Imagination (Running Away With Me) The Temptations / U.S. 12. Originally released by Harold Melvin and the Blue Notes in 1975, Thelma Houston covered Dont Leave Me This Way for her fourth album, Any Way You Like It, a year later. End Of The Road spent a quarter of a year at US No.1, and Boyz II Men went on to beat that performance, twice! By the time Cameron belts Why dont you free me, from this prison/Where I serve my time as your fool, you just want to give the dude a hug and introduce him to the Marvelettes Too Many Fish in the Sea. J.N.
Nhra Hall Of Fame Members, Vanguard Coffee House Kansas City, Invisible Fence Cfg Button, Cottonwood Crossing Apartments, Articles M